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Thought Piece #3

  • crani1al
  • Sep 23, 2025
  • 2 min read

While reading Joe McNally’s The Hot Shoe Diaries, specifically from pages 150 to 207, I was really struck by how much of photography is about adapting to unexpected situations. McNally portrays photography not as a set formula but as a craft that thrives on experimentation, adaptability, and intuition. That viewpoint resonates with the way I tackle challenges in my own life. I often find myself waiting for the perfect moment to act, whether it’s in photography, school, or my personal projects. McNally’s experiences reminded me that real progress comes from being open to trying things out, even when the conditions aren’t ideal.

One concept that really stuck with me is his creative use of light. He talks about using light not just to highlight a subject but to convey a story. He shares how he often chooses to play with shadows or introduce surprising colors, not because it’s the “right” way to do it, but because it adds depth and emotion. I see a parallel in my everyday life: sometimes the best choices are the ones that don’t seem obvious but feel true to myself. For instance, when I’m at an event taking photos, I might hesitate to step into a spot that’s empty, worried about getting in someone’s way. But McNally’s approach encourages me to embrace those uncomfortable moments, as they might lead to the most interesting shots.

One thing that really caught my attention was McNally’s take on failure. He openly acknowledges when a setup doesn’t come together or when a light doesn’t fire as he intended. Instead of seeing it as a setback, he views it as part of the learning curve. This really resonates with me because I often feel down when my own work doesn’t match my expectations. Whether it’s a blurry shot at a sports event or an overly bright picture while doing nature photography, I tend to dwell on my mistakes. McNally reminded me that failure is actually a chance to grow, and every “bad” shot is just a steppingstone toward capturing better ones.

Another point he makes in these chapters is about the importance of collaboration. McNally talks about how he works with assistants, models, and even the environment to create his images. It made me realize that photography—and life in general—aren’t meant to be done alone. I’ve seen that when I share my work with others, even in casual settings, I get insights that I wouldn’t have thought of by myself. For example, while covering events for CMLife, other photographer often notice things in my photos that I don’t catch, or I often compare myself to them and see what they do and get ideas, which helps me improve my own skills.

The main point I got from these pages is that photography is more about how we react than trying to control everything. McNally invites us to view each scene, each light source, and each subject as a chance to explore rather than a challenge. This idea goes beyond just photography; it's about staying open, adaptable, and ready to handle whatever comes our way. I really want to apply this mindset in my daily life, not just when I'm taking pictures, but also when I’m in school, dealing with relationships, or working on creative projects.

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